Even if it were true
Even if I were dead and buried in Verona
I believe I would come out and wash my face
In the chill spring.
I believe I would appear
Between noon and four, when nearly
Everybody else is asleep or making love,
And all the Germans turned down, the motorcycles
Muffled, chained, still.
Then the plump lizards along the Adige by San Giorgio
Come out and gaze,
Unpestered by temptation, across the water.
I would sit among them and join them in leaving
The golden mosquitos alone.
Why should we sit by the Adige and destroy
Anything, even our enemies, even the prey
God caused to glitter for us
Defenseless in the sun?
We are not exhausted. We are not angry, or lonely,
Or sick at heart.
We are in love lightly, lightly. We know we are shining,
Though we cannot see one another.
The wind doesn’t scatter us,
Because our very lungs have fallen and drifted
Away like leaves down the Adige,
We breathe light.
"And kids, that’s the story of how I googled ‘cunt flats’."
Don’t you just love good design work? Victoria Siemer, also know as Witchoria, is a graphic designer hailing from Brooklyn, New York.
And mine are long and sharp, my lord, as long and sharp as yours.
Tim, the Australian Cattle Dog pup.
Follow @ tntadventures on instagram, for cute photos of Tim and Thatcher!
just finished this last week! a semi constructed envelope bag I made for my handbag class. inspired by dripping ice cream if that wasn’t obvious.. measures about 14X22X4 inches.
- What’s Google’s number?
- I don’t know. Ask Jeeves.
Jenny Slate Stars in ‘Obvious Child’ Trailer
One day we were shooting “Portlandia” downtown and we went to eat in the lunchroom of this church where they were having an art show. This season’s shoot was really hard; I felt very pushed and challenged, and I was tired and disoriented a lot. I remember sitting down and seeing this painting on a canvas. It said: “If you can, please wake up.” It’s this weird, dark, intense phrase that almost sounded like something like a kid would say to his parents. And that became my mantra for the whole rest of the shoot.
I spent two weeks chasing down the artist— he was the security guard at the building. I told him how much that painting meant to me and how it had really gotten me through the shoot and he said, “I would be happy to sell it to you if it means that much to you.” So about a month ago, I drove over to his house and bought the painting from him.
— Carrie Brownstein
Photographs © We Are The Rhoads
Margaery Tyrell flirting with chicks at her own wedding, and continuing to be a true inspiration to us all